PHIL CONSTABLE
 KILL IT WITH LOVE #006Paint, Spray Paint & Screen Print on Canvas 125cm x 69cm £850 (framed) by Phil Constable |  SUFFRAGE #003Acrylic, Spray Paint & Screen Print on Canvas 65cm x 65cm £850 (framed) by Phil Constable |  KILL IT WITH LOVE #007Paint, Spray Paint & Screen Print on Canvas 100cm x 75cm £850 (framed) by Phil Constable |  KILL THEM WITH LOVE #001Paint & Screen Print on Canvas 100cm x 100cm £1,800 by Phil Constable |  KILL THEM WITH LOVE #002Paint & Screen Print on Canvas 122cm x 122cm £2,400 by Phil Constable |
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 KILL THEM WITH LOVE #003Paint & Screen Print on Canvas 122cm x 122cm £2,400 by Phil Constable |  FAMILY PORTRAIT (MM-LP) #001Screen print, Gold Gild on paper 100cm x 70cm £1,550 by Phil Constable |  FAMILY PORTRAIT (MM-LP) #002Screen print, Gold Gild on paper 100cm x 70cm £1,550 by Phil Constable |  FAMILY PORTRAIT (MM-P) #001Painting and Screen print on Canvas 128.5cm x 133cm £2,600 by Phil Constable |  FAMILY PORTRAIT (MM-P) #002Painting and Screen print on Canvas 128.5cm x 133cm £2,600 by Phil Constable |
 SID'S HOUSE (BLUE)Screen print on Paper Limited Edition of 10 62cm x 62cm £190 (unframed) £220 (framed) by Phil Constable |  SID'S HOUSE (PINK)Screen print on Paper Limited Edition of 10 62cm x 62cm £190 (unframed) £220 (framed) by Phil Constable |  SID'S HOUSE (GOLD)Screen print on Paper Limited Edition of 10 62cm x 62cm £190 (unframed) £220 (framed) by Phil Constable |  FAMILY PORTRAIT (MM-M) #001Screen print on Silvered Glass 100cm x 100cm £2,950 by Phil Constable |  Screen print on Silvered Glass 100cm x 100cm £2,950 by Phil ConstableScreen print on Silvered Glass 100cm x 100cm £2,950 by Phil Constable |
 FAMILY PORTRAIT (MM-M) #002Screen print on Silvered Glass 100cm x 100cm £2,950 by Phil Constable |
Artist and printmaker Phil Constable works by layering images via screen print, utilising half-tone photography, symbols, mark making with gold and silver gilding on various surfaces including paper, board, and glass.
Documenting industrial sites and spaces, often focusing on trace images created by construction markings and/or graffiti that has often been covered or ‘painted out’ poorly. Phil finds these images and incorporates them as part of a readymade dialogue between the mediums of the mechanically reproduced image and the brush.
Multi-layered imagery encourages the viewer to visually explore the surface, the texture, and depth within the work echoing time and memory.
Having worked through the medium of printing and drawing on glass for sometime, the process of working backwards relates to the mapping of thoughts then sealing them by the encapsulation of silvering. When viewed as a finished piece, the distorted reflection of the silvering creates tension, an interaction between the viewer and negative space.
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